Abstract

GUERRA, Paula  and  ALVAREZ-CUEVA, Priscila. ‘Dio$ No$ Libre Del Dinero’. An essay on the crossovers between the post-feminist rhetorics and the (post)cultural industries in the work of Rosalía. CIDADES [online]. 2021, vol.au21, pp.60-74.  Epub Jan 20, 2021. ISSN 2182-3030.  https://doi.org/10.15847/cct.23453.

The ultimate aim of this article is to discuss and perspective the ways in which Rosalía, as an artist, triggers an expanded set of post-feminist narratives, not only in her lyrics, but also in her video clips in this context of late modernity. Thus, maintaining the principle that post-feminist rhetoric is comprehensive and multifaceted, four songs have been analysed: "Malamente" (2018), "Yo x Ti, Tu x Mi" (2019), "Aute Cuture" (2019) and "Juror Que" (2020). In this way, we intended to assess the duality(ies) that guide Rosalía's artistic discourse, thus meeting a dialogic between the (post)cultural industries and the sociological discourse about the objects, narratives and creative imagery emerging from them.

Keywords : post-feminism; Rosalía; late modernity; (post) cultural industries; reggaeton and framenco.

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