<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000400055</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O Sólido e o Etéreo na Obra de Sérgio Niculitcheff]]></article-title>
<article-title xml:lang="en"><![CDATA[The Solid and the Ethereal in the Work of Sérgio Niculitcheff]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cole]]></surname>
<given-names><![CDATA[Ariane Daniela]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Presbiteriana Mackenzie  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>28</numero>
<fpage>55</fpage>
<lpage>63</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000400055&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000400055&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000400055&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Sérgio Niculitcheff, artista da Geração 80, grupo que despontou na década de 1980 com a exposição intitulada: A pintura como meio, teve sua visibilidade muito tímida frente à potência de seu trabalho, que vem sendo reconhecido ao longo do tempo. A sua obra pode ser abordada de diversos pontos de vista, o que a torna densa e rica. Optamos aqui, abordá-la do ponto de vista da fenomenologia, considerando a sua inevitável condição contemporânea, evidenciando a importância da dimensão simbólica em sua obra.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Sérgio Niculitcheff, an artist from 80 Generation, a group that emerged in the 1980s with the exhibition titled: Painting as a medium, had its visibility very timid considering the power of its work, which has been recognized over time. His work can be approached from different points of view, which makes it dense and rich. We have chosen here to approach it from the point of view of phenomenology, considering its inevitable contemporary condition, highlighting the importance of the symbolic dimension in his work.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Sérgio Niculitcheff]]></kwd>
<kwd lng="pt"><![CDATA[pintura]]></kwd>
<kwd lng="pt"><![CDATA[arte visual]]></kwd>
<kwd lng="pt"><![CDATA[imagem]]></kwd>
<kwd lng="en"><![CDATA[Sérgio Niculitcheff]]></kwd>
<kwd lng="en"><![CDATA[painting]]></kwd>
<kwd lng="en"><![CDATA[visual art]]></kwd>
<kwd lng="en"><![CDATA[image]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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