<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0873-6561</journal-id>
<journal-title><![CDATA[Etnográfica]]></journal-title>
<abbrev-journal-title><![CDATA[Etnográfica]]></abbrev-journal-title>
<issn>0873-6561</issn>
<publisher>
<publisher-name><![CDATA[Centro em Rede de Investigação em Antropologia - CRIA]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0873-65612025000300645</article-id>
<article-id pub-id-type="doi">10.4000/154s3</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Engaging colonial sound archives: a comprehensive and shared listening approach to an Angolan folk song]]></article-title>
<article-title xml:lang="pt"><![CDATA[Investigando arquivos sonoros coloniais: a escuta compreensiva e partilhada de uma canção popular angolana]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Valentim]]></surname>
<given-names><![CDATA[Cristina Sá]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Instituto de Ciências Sociais ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<volume>29</volume>
<numero>3</numero>
<fpage>645</fpage>
<lpage>662</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0873-65612025000300645&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0873-65612025000300645&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0873-65612025000300645&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article draws on anthropology, ethnomusicology, history, sound studies, and postcolonial theory to engage with a Cokwe song recorded in the 1950&#8217;s in northeastern Angola. Muambuâmbua song addresses desertion from colonial contract or forced labor, a practice often depicted in historiography as a straightforward act of anticolonial resistance. However, by analyzing this song through a methodology that I term &#8220;comprehensive and shared listening&#8221;, I uncover meanings of flight from forced labor that move beyond this narrow framework. The study combines archival research with multi-sited, collaborative ethnographic fieldwork in Portugal and Angola (2014-1016). The song is examined in dialogue with diverse archival sources and narratives shared by interlocutors. This approach reveals how sensitive experiences shaped by unequal power relations cannot be fully understood through sound recordings or visual and written documents alone. By engaging with sound through alternative modes of listening - the archive itself and to people who inhabit its histories - this article exposes hidden layers of meaning about colonial domination, African resistance, and agency, and contributes to the decolonial reactivation of colonial sound archives.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo recorre à antropologia, etnomusicologia, história, estudos do som e teoria pós-colonial para analisar uma canção cokwe gravada na década de 1950 no nordeste de Angola. A canção Muambuâmbua aborda a deserção do trabalho contratado/forçado colonial, uma prática frequentemente entendida pela historiografia como um ato inequívoco de resistência anticolonial. No entanto, ao analisar esta canção através de uma metodologia que designo &#8220;escuta compreensiva e partilhada&#8221;, a fuga revela significados que ultrapassam este enquadramento restrito. O estudo articula investigação arquivística com trabalho de campo etnográfico colaborativo e multissituado em Portugal e Angola (2014-2016). A canção é analisada em diálogo com diversas fontes de arquivo e narrativas partilhadas por interlocutores. Esta abordagem mostra como experiências sensíveis, moldadas por relações de poder desiguais não podem ser plenamente compreendidas somente quer através de gravações sonoras, quer de documentos visuais ou escritos. Ao envolver-se com o som por meio de modos alternativos de escuta - tanto do próprio arquivo como das pessoas que habitam as suas histórias -, o artigo expõe camadas ocultas de significado sobre processos de dominação colonial de resistência e agencialidade africanas contribuindo para a reativação descolonial dos arquivos sonoros coloniais.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Cokwe music - Angola]]></kwd>
<kwd lng="en"><![CDATA[colonial sound archives]]></kwd>
<kwd lng="en"><![CDATA[power]]></kwd>
<kwd lng="en"><![CDATA[forced/contract labor]]></kwd>
<kwd lng="en"><![CDATA[research methodology]]></kwd>
<kwd lng="pt"><![CDATA[música cokwe - Angola]]></kwd>
<kwd lng="pt"><![CDATA[arquivos sonoros coloniais]]></kwd>
<kwd lng="pt"><![CDATA[poder]]></kwd>
<kwd lng="pt"><![CDATA[trabalho forçado/contratado]]></kwd>
<kwd lng="pt"><![CDATA[metodologias de investigação]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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