<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0003-2573</journal-id>
<journal-title><![CDATA[Análise Social]]></journal-title>
<abbrev-journal-title><![CDATA[Anál. Social]]></abbrev-journal-title>
<issn>0003-2573</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Ciências Sociais da Universidade de Lisboa]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0003-25732022000400630</article-id>
<article-id pub-id-type="doi">10.31447/as00032573.2022245.01</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Representac&#807;o&#771;es filmadas da &#8220;Ásia portuguesa&#8221;: escassez e especificidades.]]></article-title>
<article-title xml:lang="en"><![CDATA[Portuguese filmography on Portuguese Orient: scarcity and specificities.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Piçarra]]></surname>
<given-names><![CDATA[Maria do Carmo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,FCSH NOVA Instituto de Comunicação da NOVA ]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>12</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>12</month>
<year>2022</year>
</pub-date>
<numero>245</numero>
<fpage>630</fpage>
<lpage>654</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0003-25732022000400630&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0003-25732022000400630&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0003-25732022000400630&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A filmografia portuguesa relativa ao Oriente português durante o Estado Novo é escassa, tardia e projeta uma retórica simplificada luso-tropicalista, que foi atualizando o mito da importância perdida de um território, outrora vasto, mas que durante a ditadura era já pequeno, impondo-se sobretudo pelo valor simbólico subjacente à sua posse. Proponho que a escassez de filmes sobre a Índia portuguesa, Timor e Macau decorre deste valor simbólico da comunidade imaginada (e território), que se projetava mais por omissão do que através da representação imagética. No entanto, com a emergência da questão de Goa e com o início da guerra colonial, o Oriente português passa a ser filmado como decorrência de um discurso luso-orientalista que pretendia, contra as evidências, sedimentar a ideia da unidade nacional &#8220;do Minho a Timor&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The Portuguese filmography on Portuguese Orient during the Estado Novo is scarce, late, and projects a simplified Luso-tropicalist rhetoric, which has been updating the myth of the lost importance of a territory, once vast, which, during the dictatorship, was already small. It imposed itself mostly due to the symbolic value underlying its possession. This article proposes that the film shortage on Portuguese India, Timor, and Macau stems from this symbolic value of the imagined community (and territory), which was projected more by omission than through imagetic representation. However, with the emergence of the Goa question and the start of the colonial war, the Portuguese Orient began to be filmed as a result of a Luso-orientalist discourse which intended, against the evidence, to consolidate the idea of national unity &#8220;from Minho to Timor&#8221;.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[cinema de propaganda]]></kwd>
<kwd lng="pt"><![CDATA[&#8220;Oriente português&#8221;]]></kwd>
<kwd lng="pt"><![CDATA[filmes coloniais]]></kwd>
<kwd lng="pt"><![CDATA[Estado Novo]]></kwd>
<kwd lng="pt"><![CDATA[projeção nacional]]></kwd>
<kwd lng="en"><![CDATA[propaganda cinema]]></kwd>
<kwd lng="en"><![CDATA[&#8220;Portuguese Orient&#8221;]]></kwd>
<kwd lng="en"><![CDATA[colonial films]]></kwd>
<kwd lng="en"><![CDATA[Estado Novo]]></kwd>
<kwd lng="en"><![CDATA[national projection]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[BERNSTEIN]]></surname>
<given-names><![CDATA[M. H.]]></given-names>
</name>
<name>
<surname><![CDATA[STUDLAR]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Visions of the East: Orientalism in film, New Brunswick, Nova Jérsia]]></source>
<year>1979</year>
<publisher-name><![CDATA[Rutgers University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CASETTI]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Eye of the Century: Film, Experience, Modernity]]></source>
<year>2008</year>
<publisher-loc><![CDATA[Nova Iorque ]]></publisher-loc>
<publisher-name><![CDATA[Columbia University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[CASTRO]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Viagem a Angola: cinema cienti&#769;fico e etnogra&#769;fico]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pic&#807;arra]]></surname>
<given-names><![CDATA[M. d. C.]]></given-names>
</name>
<name>
<surname><![CDATA[Anto&#769;nio]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Angola, o Nascimento de Uma Nac&#807;a&#771;o no Cinema. Vol. 1: O Cinema do Impe&#769;rio]]></source>
<year>2013</year>
<page-range>123-58</page-range><publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Guerra &amp; Paz]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<collab>DIÁRIO DA NOITE</collab>
<source><![CDATA[24 de outubro]]></source>
<year>1952</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[LACERDA]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Trage&#769;dia em Timor]]></article-title>
<source><![CDATA[Cinema]]></source>
<year>1947</year>
<page-range>3-4</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FREYRE]]></surname>
<given-names><![CDATA[G]]></given-names>
</name>
</person-group>
<source><![CDATA[Aventura e Rotina]]></source>
<year></year>
<publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Livros do Brasil]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[FRODON]]></surname>
<given-names><![CDATA[J.-M.]]></given-names>
</name>
</person-group>
<source><![CDATA[La Projection nationale: Cinéma et nation]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Odile Jacob]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MAGALHA&#771;ES]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Timor, - a desventurada]]></article-title>
<source><![CDATA[O Mundo Portugue&#770;s]]></source>
<year>1937</year>
<volume>45</volume>
<page-range>393-4</page-range><publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MATOS]]></surname>
<given-names><![CDATA[S. C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Oriente e orientalismo em Portugal no se&#769;culo XIX: o caso de Oliveira Martins]]></article-title>
<source><![CDATA[Cadmo]]></source>
<year>2002</year>
<volume>12</volume>
<page-range>211-24</page-range><publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Instituto Oriental da Universidade de Lisboa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MATOS-CRUZ]]></surname>
<given-names><![CDATA[J. d.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Macau e o cinema]]></article-title>
<source><![CDATA[Revista Camões]]></source>
<year>1999</year>
<volume>7</volume>
<page-range>194-206</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[MATOS-CRUZ]]></surname>
<given-names><![CDATA[J. d.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Timor e o Cinema]]></article-title>
<source><![CDATA[Revista Camo&#771;es]]></source>
<year>2001</year>
<volume>14</volume>
<page-range>162-71</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[NOGUEIRA]]></surname>
<given-names><![CDATA[A. F.]]></given-names>
</name>
</person-group>
<source><![CDATA[O Estado Novo (1933-1974)]]></source>
<year>1981</year>
<publisher-loc><![CDATA[Porto ]]></publisher-loc>
<publisher-name><![CDATA[Livraria Civilizac&#807;a&#771;o Editora]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PIÇARRA]]></surname>
<given-names><![CDATA[M. d. C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Azuis Ultramarinos: Propaganda Colonial e Censura no Cinema do Estado Novo]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Edições 70]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PIÇARRA]]></surname>
<given-names><![CDATA[M. d. C.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Uma filmografia colonial de Timor portugue&#770;s]]></article-title>
<source><![CDATA[Anua&#769;rio Antropolo&#769;gico]]></source>
<year>2017</year>
<volume>42</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>133-55</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PINA]]></surname>
<given-names><![CDATA[L. d.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Macau, em busca do retrato Perdido]]></article-title>
<source><![CDATA[Macau no Cinema / Cinemas de Hong Kong]]></source>
<year>1991</year>
<page-range>7-21</page-range><publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Cinemateca Portuguesa]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PINTO]]></surname>
<given-names><![CDATA[M. P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Orientalismo]]></article-title>
<source><![CDATA[Dicionário de Historiadores Portugueses: Da Academia Real das Ciências ao Final do Estado Novo]]></source>
<year></year>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[PUGSLEY]]></surname>
<given-names><![CDATA[P. C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Tradition, Culture and Aesthetics in Contemporary Asian Cinema]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Taylor &amp; Francis]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<collab>R. S.</collab>
<article-title xml:lang=""><![CDATA[Documentários das Nossas Colónias]]></article-title>
<source><![CDATA[Cinéfilo]]></source>
<year>1930</year>
<volume>98</volume>
<page-range>8</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[RUBY]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[Picturing Culture: Explorations of Film and Anthropology]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Chicago ]]></publisher-loc>
<publisher-name><![CDATA[University of Chicago Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[SAID]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Culture and Imperialim]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Nova Iorque ]]></publisher-loc>
<publisher-name><![CDATA[Vintage Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[STILWELL]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<source><![CDATA[A Condic&#807;a&#771;o Humana em Ruy Cinatti]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Presenc&#807;a]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[STOCKER]]></surname>
<given-names><![CDATA[M. M.]]></given-names>
</name>
</person-group>
<source><![CDATA[Xeque-Mate a Goa: o Princípio do Fim do Império Português]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Lisboa ]]></publisher-loc>
<publisher-name><![CDATA[Texto]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[VIEGAS]]></surname>
<given-names><![CDATA[A. G.]]></given-names>
</name>
</person-group>
<source><![CDATA[50 Years of Konkani Cinema]]></source>
<year>2000</year>
<publisher-loc><![CDATA[Goa ]]></publisher-loc>
<publisher-name><![CDATA[Konkan Entertainment - Felizinha Viegas]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
